Art critic Peter Schjeldahl, with only a few months left to live, is “taking in every last detail of the pulsating world.”

The Morning News https://ift.tt/2YPFB4T

Death is like painting rather than like sculpture, because it’s seen from only one side. Monochrome—like the mausoleum-gray former Berlin Wall, which kids in West Berlin glamorized with graffiti. What I’m trying to do here.

↩︎ The New Yorker

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