Reinaldo Marcus Green, director of the excellent Monsters and Men, on the amateur footage capturing police brutality.

The Morning News https://ift.tt/2UYavag

What was so significant about the George Floyd event in particular was that the camera was truly objective. It wasn’t shaking, it wasn’t moving, it wasn’t provoking the police officers or trying to tell a story of its own the way a body camera would. It was steady; it was still.

↩︎ IndieWire

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