With the closure of Minneapolis’s alt-weekly City Pages, music journalists discuss the paper’s four decades of influence.

The Morning News https://ift.tt/2TJ80I0

“Reading City Pages was the first time I realized music criticism didn’t have to be about, ‘Is this album good or bad?’” said the writer Melissa Maerz. “The writing could be kind of experimental, almost novelistic, and it could be funny or high-concept.”

↩︎ The New York Times

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